Contributed by Carolyn Shadid Lewis
I have a small flare parachute dated 1944. It first appears to be a delicate object made of silk fabric with flowing tendrils. Yet, if it had lived out its purpose, it would have lit up the sky of a WWII battlefield. My friend gave me the flare a few years ago after discovering my fascination with military parachutes, paratroopers, and WWII. He explained to me that his Irish grandmother, Lucille McNulty, made the flare while she worked as a seamstress in a military parachute factory during WWII. As we talked, I realized that the experience of Irish women workers like Lucille was an extremely compelling subject matter, one rich in poetic imagery, history, Irish culture, and female identity.
I have since lost touch with my friend, and although I cannot find any information on his grandmother, I have not forgotten her. I have decided to explore her experience through the shared stories of others in a new documentary project. I am an American artist, and I will be the artist-in-residence at the Sirius Arts Centre in Cobh, Co. Cork for August and September. While at Cobh, I hope to travel throughout Ireland and Northern Ireland recording interviews with women who worked as seamstresses in military parachute factories during WWII.
My proposed task has proven to be difficult, and I cannot seem to find women who have this experience. I am contributing to Pue’s Occurrences in the hopes that the history community here might be able to provide some insight. Read more